But they’re all just echoing each other’s shouts, and the original shout may be questionably informed to begin with. He asked “Can anyone tell me if is good? I’ve never used one and I’m shooting a review of it tonight.” #Smart shooter 3 autofocus professional#Ĭase in point, I was recently scrolling through a Facebook group for camera collectors when I saw a YouTuber / Professional Camera Liker comment within the group. Really? This is how we photo geeks are getting our information and advice about photo stuff in 2020? From someone who’s never shot the camera that he’s reviewing? This does not establish confidence. Some people reading this will already be twitching their fingers, ready to drop the digital gloves in defense of their favorite YouTube personality. If that’s you, chill, my bud! I’m not trying to make anyone mad. I love YouTube camera dorks and there are plenty of sincere YouTubers who add to the knowledge base and (more importantly) help people improve and get greater enjoyment from their photography.Īnd I also know that there’s not supposed to be such a thing as a “best camera.” Cameras are tools and different people need different tools. But generally speaking (that means for a vast majority of users), there really is a best film camera. The historical trajectory of the film camera is easily trackable. Film cameras got better and better, until they were superseded by digital cameras. The industry never dipped or dived for a decade, as other industries have at times. Film camera capability and ergonomics simply went up, and up, and up, decade after decade, until they were no longer being actively developed. The first cameras were primitive light-tight boxes made to suspend a lens a certain distance away from a focal plane of film. These simple boxes of cardboard or wood quickly evolved into beautiful assemblies of shiny metal. Over the next fifty years, cameras became smaller, incrementally more automated, more reliable, and easier to use. Limited in spec, but good. Now, if we jump forward fifty years from then, there’s really no comparison.īy the mid-1950s, cameras still required a dedicated user who knew what he or she was doing in order to make a proper image, but the cameras of the 1950s were overall very good cameras. Film cameras made between 19 are objectively the best film cameras in the world, and I want more people to buy them now while they can be bought for, like, $60. I feel like it’s important for me to make my argument in the simplest and most compelling way possible. But instead of doing that, here are a bunch of strange metaphors and questionably relevant analyses (did you expect something else? wrong site, my pal).įor the purposes of the following argument, I’ve selected the Leica M3 as my fall guy, because it’s the classically accepted “perfect film camera.” But the comparison will be as appropriate when substituting the Leica for something like the Nikon F3, Contax T2, or any other film camera du jour. That’s french, by the way, for film camera of the day.įor my “good guy” in the fight, I’ve selected a boring, inexpensive, passover camera from the year 2000 – the Minolta Maxxum 5. No one has ever lusted after this camera or any camera like it.
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